Ok, as a few of you close to me might know, I'm in a band. Our band has seen many technical difficulties over the past year, however few of them have been from my stuff.
Wrong.
Wrong.
Wrong.
Let me explain. Technology has come a long way. What took the Beatles months to do can be done in a few days. Home recording studios are becoming abundant, big and small. It's easy to do....
so how come it never works for me?Here's the lowdown: I have a pretty damn good laptop for recording with, which I didn't even realize until I began doing it a few months back. It's an HP that has an 80 GB harddrive, Intel Centrino processor, and came with 4 USB ports and a FireWire port.
Hardware: Presonus FP10, commonly known as the FirePod. 8 mic preamps, S/PDIF, and MIDI. Works awesome. Other gear includes KRK monitors, Sennheiser headphones, and mostly Audix and AKG microphones. Pretty solid gear. Nothing spectacular, but enough to get the job done.
The issue has come with the software. The Firepod came with a cheap version of Cubase that I've thrown aside. I've acquired two Multi-track programs, Sonar 6 Producer's Edition, and the infamous Cool Edit Pro 2.0 (Licensed to Peter Quistgard). The latter is a popular download on many P2P services i.e. Kazaa, Bearshare, Limewire, etc.
Sonar: seems like a pretty good program, however not compatible with the on-board soundcard on my computer. It accepts the Firepod, however clicks and pops are abundant in the playback...but playback the same mp3 files that are recorded with it, and there's no clicking. Stuff sounds like platinum.
Cool Edit Pro: easy to use program, but has its limitations. Accepts the firepod, but fucks it up in the actual recording process (specifically, for every two channels on the pod, adds up to one track on the software. So, inputs 1 & 2 end up being track 1. better example, kick and snare are on the same track). Shitty to record with.
I've since found myself recording with Sonar and then copy and paste everything into Cool Edit. This is a royal pain in the testicles as you have to literally puzzle-piece every part together so that it sounds like music. Ok, it sucks but I'll deal. I have 10 songs recorded, and they all sound pretty good so far.
Latest obstacle in the road: why did one of my bass tracks suddenly, out of the blue, turn into a mixture of every other track and horrible static? It didn't sound like that this morning, why does it now? And furthermore, is this going to keep happening just when it feels like it?
Like I said, technology has come a long way and the way I'm doing things now is absolutely rediculous, and I shouldn't have to put up with it. I plan on running ProTools in the very near future. No joke.